- Mort
- Jan 31, 2020
- 0 min read
INTO XIBALBA
INTO XIBALBA
MortDraws
- Mort
- Jan 31, 2020
- 3 min read
This weekend (the 9th and 10th of November) I was extremely lucky. Two of my good friends were tabling at Thought Bubble and found that they had an extra bed in their hotel room, and so I tagged along! Here I will record what I've learnt through this wonderful experience, and what I plan for the future.

As an effort to be a little more memorable than the general public, I attempted to strike up a conversation with anyone I wanted to buy something from, and to also give them a sticker as a way of bringing myself to the forefront of their minds every time they see it.
I'd had the stickers themselves for almost two years now and thought that this was the perfect opportunity to use them.
I had the pleasure of meeting past students of Glyndwr university and their friends, and observing how they're progressing with their careers. It was also very handy to have social media as I could sneak away with images of their stalls without physically taking any photos.












(The photos above do not belong to me) It was very reassuring to see the range of stalls at the convention. Some people featured zines, badges, stickers and posters, while some other people also had bigger books thrown in. People who had banners with their ocs or artwork on really caught my eye, however, there were some very colourful table cloths and very many pride flags mixed in which also caught my eye. I found that people who had boards of prices were often asked how much things were, whereas individually labelled things worked better in the chaos of wandering crowds - but beware that the price tags move! Almost everyone had a business card that they slipped into purchases.
Planning for the future, I would like to have a range of items for sale. I'd like to primarily have zines or comics for my first table, I know that stickers are not hard to make or purchase and if I can set aside time to create stand-alone images in amongst my work at uni, I don't see why I can't be ready for a convention very soon.
Banners are something that I'd like to look into, I know that my style and quality of work is improving very fast at the moment, however, the striking nature of the banner would be worth the cost at the beginning, bringing people in towards me against others who may not have banners. A quick search found that a banner from helloprint.co.uk was £31 - so well within my grasp.
While there, I was also introduced to a couple of new publishing houses that I'd not heard of previously, ShortBox, and Avery Hill Publishing. I'm unsure as to whether they would benefit me if I approached them, it's something to look into in the future and also worth my time to watch them on social media.
I've also done some quick research into dates of conventions and events (Assuming they're all around the same time each year). Obviously, there's Thought Bubble which took place on the 9-10th of this month. MCM Manchester was in July, MCM Scotland in September, London - October, and Birmingham in November. There's a Zine festival in South London in August, Shake Bristol on December 8th and Wales Comiccon (Now in Telford, England??) also in December. I'm sure a more thorough search would produce even more events, but this is a good starting point.
The future looks exciting!
See you next time,
Mort.
- Mort
- Jan 31, 2020
- 2 min read
I sent my robin silhouettes to S, and while I waited I cracked my knuckles and started my exciting extra project!! I bring to you, the loosest silhouettes ever. Designed to stop myself from being too precious as this project means a lot to me. Those of you who also follow me on Pinterest will have seen the amount of Mayan/Aztec clothing I've been pinning lately.










My plan with these was to get the basic shape down, trying to vary the proportions to create a simple, but distinctive rough. Using a technique I picked up from a tutor on a different course, I scanned them into photoshop and used the liquify filter to move some parts around before I worked into them using a light grey brush. This process took a lot more time than I anticipated, but I think the end results are much more interesting than if I had have drawn them my usual way.


S got back to me about the robin silhouettes, and while I had resolved some of the issues, I had missed the overall point of the exercise - making the negative space more interesting. So, S explained how I could improve and so I went back to drawing, and after some subtler edits, I landed on the final roughs.




















From here, I was able to finalise the linework and move onto preparing watercolour paper and colours.








The first image is my default orange and blue combination, which I do really like, however, it's very autumny which would be the wrong time of year for the setting, and so the blue and pink combination came about. This was an attempt at using unconventional colours while still portraying the identity of a robin well. The third rough leaned more towards the realistic colours while still paying homage to complementary colours. Finally, with some input from S, I came to the final image which combined elements from all three.

I was unsure as to how the colours would translate in watercolour as viewing colours on a digital screen is much different from mixing colours on absorbent paper and so, as I finished the background of the first page, I quickly scanned it in and made a sample of how the colours would turn out.
The first page will be the coldest, as robins begin building nests as winter turns to spring and as the story progresses, the greens will become warmer, reflecting the colour roughs more closely.
Now all that's left to do is complete the rest of the backgrounds and create some textures to lift onto the robins.
Exciting times!
See you next time,
Mort.